Jump to content

Literature/1949/Shaw

From Wikiversity
Authors
A B C D E F G H I J K L M N
O P Q R S T U V W X Y Z &

Shaw, Ralph R. (1949). "Machines and the Bibliographical Problems of the Twentieth Century." (pp. 37-71) In: L. N. Ridenour, et al. Bibliography in an Age of Science. Urbana: University of Illinois Press.

Wikimedia

[edit | edit source]
w: Ralph R. Shaw
w: Vannevar Bush
w: Emanuel Goldberg
  • After four years working for Zeiss subsidiaries in France, Goldberg moved to Palestine in 1937 where he established a laboratory, later called Goldberg Instruments, which became the Electro-Optical Industries ("El-Op") in Rehovot. A photograph taken 1943 by John Phillips for Life Magazine shows Goldberg in his work shop in Palestine. [1]

Chronology

[edit | edit source]

See also

[edit | edit source]
  • Shaw, R. R. (1949). "The Rapid Selector." Journal of Documentation , 5: 164-171.

Shaw (1949a) provides a convenient introduction to microfilm selectors. A postscript to this paper by E. M. R. Ditmas incorrectly cites the technical report by Engineering Research Associates (1949) on the ERA microfilm rapid selector as PB 97 535 instead of PB 97 313, an error repeated by some subsequent writers. Bagg and Stevens (1961) provide the best historical account of microfilm selector development, albeit incomplete with respect to Goldberg, which can be supplemented by the later account by Alexander and Rose (1964). G. W. W. Stevens (1968, chap. 12) provides a summary, as does the International Federation for Documentation (1964, chap. 9).


From http://people.ischool.berkeley.edu/~buckland/goldbush.html

Comments

[edit | edit source]


Notes

[edit | edit source]
  1. Two years later, that magazine happened to reprint Vannevar Bush's "[[w: As We May Think|]]" related to Goldberg's (1931) patent.
1900s ^
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
'20 '21 '22 '23 '24 '25 '26 '27 '28 '29
'30 '31 '32 '33 '34 '35 '36 '37 '38 '39
'40 '41 '42 '43 '44 '45 '46 '47 '48 '49
'50 '51 '52 '53 '54 '55 '56 '57 '58 '59
'60 '61 '62 '63 '64 '65 '66 '67 '68 '69
'70 '71 '72 '73 '74 '75 '76 '77 '78 '79
'80 '81 '82 '83 '84 '85 '86 '87 '88 '89
'90 '91 '92 '93 '94 '95 '96 '97 '98 '99
2000s
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
1900s category ^
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
'20 '21 '22 '23 '24 '25 '26 '27 '28 '29
'30 '31 '32 '33 '34 '35 '36 '37 '38 '39
'40 '41 '42 '43 '44 '45 '46 '47 '48 '49
'50 '51 '52 '53 '54 '55 '56 '57 '58 '59
'60 '61 '62 '63 '64 '65 '66 '67 '68 '69
'70 '71 '72 '73 '74 '75 '76 '77 '78 '79
'80 '81 '82 '83 '84 '85 '86 '87 '88 '89
'90 '91 '92 '93 '94 '95 '96 '97 '98 '99
2000s category
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
1900s works ad hoc
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
'20 '21 '22 '23 '24 '25 '26 '27 '28 '29
'30 '31 '32 '33 '34 '35 '36 '37 '38 '39
'40 '41 '42 '43 '44 '45 '46 '47 '48 '49
'50 '51 '52 '53 '54 '55 '56 '57 '58 '59
'60 '61 '62 '63 '64 '65 '66 '67 '68 '69
'70 '71 '72 '73 '74 '75 '76 '77 '78 '79
'80 '81 '82 '83 '84 '85 '86 '87 '88 '89
'90 '91 '92 '93 '94 '95 '96 '97 '98 '99
2000s works
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
1900s books cat. ^
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19
'20 '21 '22 '23 '24 '25 '26 '27 '28 '29
'30 '31 '32 '33 '34 '35 '36 '37 '38 '39
'40 '41 '42 '43 '44 '45 '46 '47 '48 '49
'50 '51 '52 '53 '54 '55 '56 '57 '58 '59
'60 '61 '62 '63 '64 '65 '66 '67 '68 '69
'70 '71 '72 '73 '74 '75 '76 '77 '78 '79
'80 '81 '82 '83 '84 '85 '86 '87 '88 '89
'90 '91 '92 '93 '94 '95 '96 '97 '98 '99
2000s books category
'00 '01 '02 '03 '04 '05 '06 '07 '08 '09
'10 '11 '12 '13 '14 '15 '16 '17 '18 '19

http://books.google.com/advanced_book_search

The shade of the bar looks invariant in isolation but variant in context, in (favor of) sharp contrast with the color gradient background, hence an innate illusion we have to reasonably interpret and overcome as well as the mirage. Such variance appearing seasonably from context to context may not only be the case with our vision but worldview in general in practice indeed, whether a priori or a posteriori. Perhaps no worldview from nowhere, without any point of view or prejudice at all!

Ogden & Richards (1923) said, "All experience ... is either enjoyed or interpreted ... or both, and very little of it escapes some degree of interpretation."

H. G. Wells (1938) said, "The human individual is born now to live in a society for which his fundamental instincts are altogether inadequate."