File:Blue Room Clearer all in piano expressive JMC Han.ogg
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Blue_Room_Clearer_all_in_piano_expressive_JMC_Han.ogg (Ogg Vorbis sound file, length 57 s, 89 kbps, file size: 618 KB)
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Summary
| Description |
English: This sound file was as the second part (All in one piano: Main melody + Pizzicatoing arpeggio-progressive seventh-chordal accompaniment) in an educational series named Blue Room (composed by Rodgers and Hart, 1926; Wikipedia Introductions: https://en.wikipedia.org/wiki/Blue_Room_(1926_song), https://en.wikipedia.org/wiki/Rodgers_and_Hart ), progressing in a worldwide online educational platform - Future Learn. It's a learnt & Exercising Version created from Ray d’Inverno 's Teaching version on the Educational platform Future Learn): This sound file was a beginning part of 'Blue Room' (Rodgers and Hart) for educational purpose following four educational series - TAWTUTB "Things Ain't What They Used To Be" ( Mercer Ellington), Now's The Time' (Charlie Parker) and 'Blue Monk' (Thelonious Monk), 'INCH WORM' (Frank Loesser), which I had performed and created.
Statement: In this edition, Special piano technique - pizzicatoing arpeggio-progressive seventh-chordal accompaniment has been applied in left hand, for giving a overall impression of tune's colours and atmosphere. Meanwhile, 'Ritard...... A Tempo' has been applied in two places, in additions of other details of speeds-treatment and dynamics changes, for making 'memories' storen in 'Blue Room' much clearer and more expressive. All layers were played in one piano. The second edition was modified much like a piece of etude -fluent and well-designed. We can expect a better edition in a soon while. Jason M. C., Han (talk) 14:46, 14 June 2018 (UTC) |
| Date | |
| Source | Own work |
| Author | Jason M. C., Han |
Licensing
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 12:59, 12 July 2018 | 57 s (618 KB) | Jason M. C., Han | In this edition, I have added a little down-turn-ornamental motif-improvising in its 3rd time's reappearance of main theme and a much clearer & timed final F major 7th arpeggio-returning end.Indeed, it's from some variations-thinking of chorus, but too short made-up in the overall version. Further ideas can be expected. | |
| 14:46, 14 June 2018 | 1 min 12 s (800 KB) | Jason M. C., Han | User created page with UploadWizard |
File usage
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