Template:Quoted
Jump to navigation
Jump to search
Usage[edit source]
Template populated with
- {{quoted|Cry "Havoc", and let slip the dogs of war.|William Shakespeare|''[[Julius Caesar (play)|Julius Caesar]]'', Act III, Scene I.}}
produces
- Note: Quotation marks are not included so double-embedded marks are avoided, as in "Cry "Havoc", and . . ."
Template populated with
- {{quoted|{{Lorem ipsum}}|Cicero|''De finibus bonorum et malorum''}}
produces
Note that the template aligns left and floats, with 5px padding. Thus:
- Marcus Brutus is Caesar's close friend whose ancestors were famed for driving the tyrannical Tarquin kings from Rome. Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Gaius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition whereas Brutus is motived by the demands of honour and patriotism; in fact one of the central strengths of the play is that it resists categorising its characters as either simple heroes or villains.
{{quoted|Cry "Havoc," and let slip the dogs of war.|William Shakespeare|''[[Julius Caesar (play)|Julius Caesar]]'', Act III, Scene I.}}- The early scenes deal mainly with Brutus's arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar. A soothsayer warns Caesar to "beware the Ides of March", which he ignores, culminating to his assassination at the Capitol by the conspirators on that very day.
- After Caesar's death, however, another character appears on the foreground, in the form of Caesar's devotee, Mark Antony, who, by a rousing speech over the corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...—deftly turns public opinion against the assassins by speaking to the more personal side of his position, rather than the public and rational tactic Brutus uses in his speeches. Antony rouses the mob to drive them from Rome.
produces
- Marcus Brutus is Caesar's close friend whose ancestors were famed for driving the tyrannical Tarquin kings from Rome. Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Gaius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition whereas Brutus is motived by the demands of honour and patriotism; in fact one of the central strengths of the play is that it resists categorising its characters as either simple heroes or villains.
- The early scenes deal mainly with Brutus's arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar. A soothsayer warns Caesar to "beware the Ides of March", which he ignores, culminating to his assassination at the Capitol by the conspirators on that very day.
- After Caesar's death, however, another character appears on the foreground, in the form of Caesar's devotee, Mark Antony, who, by a rousing speech over the corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...—deftly turns public opinion against the assassins by speaking to the more personal side of his position, rather than the public and rational tactic Brutus uses in his speeches. Antony rouses the mob to drive them from Rome.