English: In my depth of mental sea (Mainly about the education of piano), a piece of Fugue is lying there. Yep, it's 'd minor Fugue' in Sir Johann Sebastian Bach's 'The Well-Tempered Clavier' (Wikipedia introduction: https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier). Though about the performances of its ornamentation, there are many debates in terms of what fashions Bach's preferences were and whether they were only in certain exact scenes which Bach preferred to make some styles to some exact groups. About this topic, 'western side' and 'eastern side' almost have quite differential ideas - someone prefer Era's fashion as being generalized upon all Baroque composers, then applied to some works of Bach (Top-downwards trill.); while, someone prefer the explanation that it can be seen as Bach's individual fashion in some scenes to individual groups. I think: if the resurrection can be made, Sir Bach would also confuse about why he had performed them as so and how he had thought them out... But, the love of playing Bach's has never changed for many centuries among piano boys and girls.I found some music-score dictionary attributed it to players' personal literacies. I thought somehow it was also reasonable...Therefore, in this version, I played it according to a teaching textbook in a national grading - an moderated and coordinating style, but with techniques and strengths what I preferred.

In other aspect, if you ask me: 'Hi, naughty Jason, what's your impression of this piece?', I would say: ' Under my educational background, it was like a piece of sorrow mind's self-expression & self-reflexivity - multiple-thinking dimensions have been threaded together in a very complicated (thick and vertical) texture emotionally and beautifully'. Oh, maybe I am a boy wandering in the middle between binary cultures, then, would carrying this feeling... I don't know... But, in psychologist views, after hearing it or playing it deeply, absolutely, they will say: 'Jason, it can be compared with our psychological consult (treatment), in which - firstly, we were leaded into a dialoging theme (B1-B8); then, 'climbing up a mountain' to collect pathway-principles (fragmental indications) among a huge, maze-like and complicated forest of life (with multiple layers and events) (B9-B20); taking much deeper expression of every mood-chain, their composition and totally ranges under a huge emotion-atmosphere (some whispers, then, life complains, deep reasoning & threading, and even loudly cries would happen during this procedure) (B21-B39); Back-returning to original theme, and then, getting the Release of the extra metal power (B40-B44; especially, it contents a final solution to D major block-root which made it bright and got out of life maze).

I enjoyed this music trip in education, though still some lacks in techniques were there waiting my further enhancements, such as a forgotten of B29's trill, - sorry, in that Live Space, I felt a little bit tried. But, I wanted to entirely express my experience of it. It's said: Fugue was one of most complicated contrapuntal forms (Counterpoint) in engineering approach, which needed some very careful trainings of both thinking and hands' techniques. (Wikipedia introductions: https://en.wikipedia.org/wiki/Counterpoint; https://en.wikipedia.org/wiki/Fugue). Yes, thanks, Sir Bach... But, in commons' mind, what the most benefit of its appreciation, I thought, should be 'getting a total mind-Release from multiple mood-chains, and enjoying a final peaceful emotion after reasoning our own sufferings during these several years'