Lesson:Thumbnail Storyboards:Eye direction

This school is:

Wikiversity Film School - Narrative film production

This course is:

The basics of narrative filmmaking

This lesson is:

Creating the thumbnail storyboards

The pages of this lesson are:

Introduction - Creating the thumbnail storyboards

If you have problems:

Things to worry about! ("Crossing the line.")

More things to worry about! (Eyeballs & cameras) ← You are here

Eye direction?

Left, right, center?

In general, thumbnail storyboards are very quick sketches. The exception is the eyeballs. You must clearly show the direction that the eyes are pointing.

no eyeballs

Draw the circle of the eyeball

Always draw the circle of the eyeball to start with. Then add a dot for the pupil to show the eye direction.

Passive vs. Active

Who is the camera?

Another concern is "who is the camera?" You have to decide "Who is the camera?"

This can change with each shot. Therefore, you have to decide for each shot what is the purpose of the camera.

The big question

Is the camera a passive observer or is the camera taking the viewpoint of one of the actors? Is the camera just the view of the audience acting as a passive observer? Or does the camera show us what one of the actors sees? (That is, does the camera show us the point-of-view of an actor?)

This makes a difference and the difference is seen in the eyeballs of the actors.

Follow the eyes

Worrying about eyeballs

Now it gets even more complicated.

Case 1 - The camera is passive

In most cases, the camera is only a passive observer of the conversation. In that case, DRAW THE EYEBALLS!!! Where do the eyes of the actors point?

By that, I mean that the eyeballs of the actors will point to either on one side of the actor's face or the other. ALWAYS!!!!

The rule

Unless the camera crosses the line while the camera is filming, an actor's eyes will always appear to look either to the left or to the right CONSTANTLY throughout the scene. It never changes. (If it does, you have made a mistake.)

To repeat

When the camera is a passive observer, the eyeballs of the actor will not point into the camera but rather the pupil of the eye will point to one side or to the other side of the camera... AND WILL REMAIN ON THAT SIDE FOR THE ENTIRE SCENE.

Why?

This is a side effect of the "Don't cross the line" rule. If you do not cross the line (which is good), then each actor's eyes will ALWAYS point to the same side for the entire scene. If this changes, the audience will be come

confused.

When things go wrong

If you accidently "cross the line" between the shots of a scene then, not only does the positions of the actors change (the actor on the left is now the actor on the right), but also the eyes of the actor will be pointed in a different direction. (Not good!)

The exception

The actor's point of view

The exception is when the camera sees what the actor is seeing. Then the other actor's eyes will look directly into the camera. Then the eyeballs are straight forward. Perfectly centered. Not left and not right.

Therefore, this is the exception to the rule that the actor's eyes will continually point to just one side of his face for the entire scene.

The actor looks at the camera therefore the camera represents one of the actors in the scene.

Always draw the eyes

Eyeball and pupil

To determine the answers to these questions, you must draw not just a circle for the eyes but also clearly draw a dot to indicate the actual direction that the eyes are pointing.

Is the older person always looking over the audience's right shoulder (or simply toward the right) in ALL the shots?

And when does the camera become the viewpoint of one of the actors.

The answer is shown in the direction of the eyes.

The next lesson

Once you have quickly created your thumbnail storyboards, you can begin the course on 3D Storyboarding.

Contact your instructor

• Your instructor for filmmaking classes is Robert Elliott. To email me, you simply Click Here.